The Blue Note & Rose Blog


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Here Come the Mummies…again!

Where: The Blue Note
When: Saturday, March 18. Doors 7:30 | Show 8:30
Tickets: $21.50 advance | $24 day of show
Opener: Hound Sounds

Get ready CoMo, Here Come the Mummies are coming to get funky for a special St. Paddy’s party this Saturday. This isn’t the first time Here Come the Mummies have graced the stage, it’s the third time they’re playing for us this year! Is it obvious we can’t get enough of them? Now, a look back onto some of HCTM best moments onstage in Columbia…

1. March 24, 2016

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HCTM brought their brand of “terrifying funk from beyond the grave” to our stage for the first of their three 2016 concerts at The Note. Their sound has been described as a cross between Fitz & the Tantrums and the Mighty Mighty Bosstones. This particular show highlighted how fun their indoor shows thanks to their killer production.

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2. 9th Street Summerfest 2016

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Here Come the Mummies were just one of the amazing acts that headlined in our Summerfest series last summer. Even in the extreme heat, these mysterious guys donned their full mummy disguises and took the time to meet a few fans after the show.

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This could be you!

3. This Saturday!

These guys are sure to put on an energetic show in the spirit of continuing St. Paddy’s Day celebrations. Don’t miss one of the most unique groups around and come with a little extra cash because their merch is to die for. (Har har har.)

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Also be sure to check out the opening band Hound Sounds coming to us from St. Louis!

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Midwest Rhythm & Blues Review: Show Preview and Interview

Where: The Blue Note

When: Saturday, March 11. Doors 7:30 | Show 8:30

Tickets: $7

Featured local artists: Jenny Teator , Aina Cook, Ben Hinkebein, Danielle Nicole Band (formerly of Trampled Under Foot), and the The Flood Brothers.

The nine-piece soul, rhythm and blues band known as Al Holliday & the East Side Rhythm Band will be bringing funk and soul from their home of the blues by the Mississippi River to The Blue Note’s stage. They’ll be joined by some of the hottest young singers from Mid-Missouri, St. Louis and Kansas City in a revue-style performance.

What is a revue? You may ask. Simply put, it’s a performance consisting of several musical acts that lead up to a headliner, like Al Holliday & the East Side Rhythm Band.

Al Holliday came to Pat Kay, our regional talent buyer at The Blue Note and Rose Music Hall, with this revue concert in mind. In case it wasn’t obvious, we focus on amazing live music, and this concept concert definitely fell into that category. Holliday has never performed in a revue-style concert with his band but he is “So looking forward to working with my fellow artists, my good friends and the band to bring some really special arrangements of their original music.”

“We want it to be unique. From downbeat to encore, we want it to be something special, something that only happens once a year,” Kay says.

Holliday is quite the singer and quite the character. His enthusiasm for his craft makes “soul” a very fitting name for the type of music he creates, which he describes as “Mississippi River soul music.”

Holliday says that in St. Louis, “We all really dig New Orleans R&B and think of them as some kind of sister city.” The New Orleans feel worked its way into their music with a loose, funky feel.

Holliday lives, eats and breathes this Motown, funky, soulful generation of music. He says one of his main inspirations is Tina Turner, but he’s “Not talking about that “What’s Love Got To Do with It” Tina.” Other inspirations include The Band, Bob Dylan, Leon Russell, Gil Scot-Heron, D’angelo and Allen Toussaint.

Shows like this help connect the last resurgence of this kind of music to the modern version that is played today. This playlist illustrates this concept of connecting then and now.

Holliday is an eccentric personality with a lot of faith in music and even more faith in the people that listen to it. He says his fans are the type of people that keep it real and “go hard ‘af.’”

Although Al Holliday and his “nine-piece soul R&B warrior tribe,” as he refers to them, play all the time, you won’t see them any other time in this format. The same goes for the rest of the talented singers that will be joining him on the stage.

In preparation for the show, Holliday had the East Side Rhythm Band learn the charts for all of the different singers that will be performing. Doing this requires a lot of work on their part, but it allows the show to have a backing band and switch between band leaders on a dime.

In addition to bringing inspiration and passion to their music, Al Holliday & the East Side Rhythm Band send a message. Holliday describes this message as, “Love, baby. Soul f*cking power. Strength. Community. The feeling that life will sometimes kick you in the head but it can’t overpower these things.” I know we all could use a little more love and soul power in our lives these days.

“If you like real music in your community, if you like funky music, if you are alive in the world today, this is a show you do not want to miss,” Holliday says. We couldn’t agree more.

So get your funky, soul-loving, groovin’ booty down to The Note for one of the most creative events this year.

This post was written by Erin Curry, contributing writer for The Blue Note and Rose Blog. 


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STRFKR’s performance was out of this world

Portland band STRFKR brought the weird to Columbia last Wednesday. Equipped with inflatable swans, astronaut suits and enough gear to make any music-lover geek out, STRFKR threw a psychedelic dance party unlike anything the Note has seen all semester.  Frontman Josh Hodges strutted out dressed as a woman — a timely political statement that probably went over the heads of less informed crowd members. His choice of attire served an important purpose and informed us of STRFKR’s ideals that the dance floor is a place of love and inclusion.

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STRFKR eased the crowd into the celebration with the sublimely melodic “Atlantis” before transitioning into the jittery synth bliss of “Malmo.” Watching the end of a STRFKR song live is like watching some child savant playing with Legos. Each song is carefully constructed, but the tension they create by threatening to tear it down is absolutely thrilling. If you couldn’t figure it out from the crowd surfing astronauts, this willingness to toss out convention and improvise directly reflects the bands ethos — they’re just here to have a good time. Nothing embodies their lack of fucks given better than their gleeful cover of Cyndi Lauper’s “Girls Just Want To Have Fun.” The bass line triggered a roar from the crowd and sent the place into a frenzy.

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Other highlights of the night were the euphoric “Rawnald Gregory Erickson the Second” and fan favorite “While I’m Alive.” Considering all of the improvised jams, STRFKR cruised through over twenty songs in a set that went for two hours. It was a fantastic show. As I  left The Blue Note, I heard rave reviews from excited, newly converted fans as well as from a guy I shared a cigarette with who has been following them on tour for the last month. This may sound like typical post-show enthusiasm but it’s a testament to a band that has been near the top of the indie-pop pyramid for a long time and still brings it every night.

This post was written by Ben Kane, contributing writer for The Blue Note and Rose Blog.