The Blue Note & Rose Blog


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YEAH BROTHER! It’s time for WRESTLEFEST!

When: Friday, June 23. Doors at 7:30 p.m.
Where: Rose Music Hall
Tickets: $10

Columbia, the first thing you need to do is shut up and listen to what the Rose is cooking! On Friday, June 23, we’re teaming up with Logboat Brewing Company and Dynamo Pro Wrestling to throw the ultimate costume party and celebration of all things wrestling.

This night will destroy all other parties before it. We’ve got everything you want all in one place — live music from punk rock champion belt winners Dangerbird from St. Louis, DJ King of Columbia and DJ Requiem. And don’t forget, the wrestling event you’ve all been waiting for! Two of Missouri’s top contenders, Brandon Aarons and Elvis Aliaga will go HEAD TO HEAD to win the first ever Wrestlefest Title Belt! All hosted by the mean and lean Jones Yard Dog aka MF Jones AKA Chainsaw!

You can bet that we’re bringing in a ring for this, brothers and sisters. So get yourself a costume from places like Gotcha, one of the great vintage clothing stores in town….or a place called the internet. See you there BROTHER!

 

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A few of our own setting the stage for the ultimate costume party. Get a costume, pick a side and be there! It’s going down!


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Movies in the Park are back…and free!

Drive-in movies are unarguably one of the best parts of summer, so at Rose Music Hall, we decided to tweak the idea and bring Columbia some of our favorite movies right from our backyard (i.e. Rose Park). This summer, you’ll have the chance to watch some classics from our new stage and the comfort of your own blanket. If you’re looking for a good date idea, a place to bring the kids, or just something to do, head down to Rose for any of these FREE flicks. (P.S. This is just round one so stay tuned as we announce more!)

Wednesday, 6/14 – The Princess Bride – Free Movies in the Park
Wednesday, 6/21 – Batman – Free Movies in the Park
Wednesday, 6/28 – Mrs. Doubtfire – Free Movies in the Park
Wednesday, 7/5 – E.T.

During the movies you can get popcorn and beer from our outdoor bar, or tacos from Pepe’s kitchen. You’ll want to come prepared with a blanket or lawn chairs, especially since we just finished up construction with the new stage. But if you forget, you can always snag a spot on the patio, a picnic bench, or toward the top of the hill. And speaking of snagging a spot, you’ll want to make sure you get there early. We open doors for movies at 7, so for prime seating, you’ll want to get there early. Movies will start at 8:30 or shortly after when the sun goes down. Can’t wait to see you there!


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Q&A: The Districts’ Rob Grote

The-Districts

The Philadelphia-born rock band known as The Districts are gearing up to play at Rose Music Hall on Sunday, April 23 and they’ll be bringing some serious talent with them. The four-piece band, which formed in high school, are constantly evolving. Their sound is hard to place but if you like rock-and-roll, and the likes of Houndmouth, Dr. Dog, Twin Peaks or Heartless Bastards, you need to check out The Districts. I interviewed singer and guitarist, Rob Grote, about how the tour has been going, what the band has been up to and the new music they’re working on.

Tickets for the show are $12 in advance and $15 day of show. Doors are at 7 p.m. so get there early and get a beer during Logboat’s tap takeover and get a spot in the front row to see Abi Reimold and Things On TV kick things off. P.S. Beer tastes better in the front row.

How’s the tour going?

We toured a lot for the last album and we’ve been taking some time off for a while to work on new music. It’s been really cool to get back out there and play shows again and we’re feeling good. We’re trying out a bunch of new songs which has been fun and the response to those seems to be going pretty well.

I saw that you guys just released “Ordinary Day.” Where are you in the process of making new music?

We have a whole album recorded. We spent the last year just working really hard. We wrote a ton of new music, only a portion of which is actually on the album. I’d say most of the year was spent recording and writing stuff so it was really fun. I think we twist ourselves and challenge ourselves to make things new and different to us.

How would you describe the new album? How is it different than music the band has put out before?

There’s definitely some differences, like just lyrically and musically, we went at it with a lot of ideas of using restraint. We wanted to approach a lot of the new stuff by trying to use different techniques to accomplish some of the things like cathartic feelings that we’ve done in the past by having like a loud moment, so restraint was a big idea with that.

Also lyrically, trying to do a “less is more” type of thing at times; just challenging ourselves to look at things differently and not necessarily make things the way our first instinct would be to make them. It definitely still sounds like The Districts. It’s just more of a fully realized kind of idea that we had been shooting for in our sound before. I think we’ve hit the mark on it a little more this time.

What’s the songwriting process like for you guys?

The process varies a little bit…I’ll usually come up with a pretty bare bones idea for a song and make a demo in my room, which will be usually acoustic guitar and maybe a keyboard or another guitar track here and there; like a pretty stripped down unfinished version.

Sometimes it’ll only have one verse written and the chorus, or something like that. From that demo we’ll usually try to work on some stuff, and together we kind of flesh it out and make it into a more completed image of it. We usually record another demo then. It’s usually gone through a bunch of ringers, so to speak, to kind of squeeze out everything we want to get out of it so that by the time we’re in the studio, we’ve all kind of had our say; we’ve all contributed collectively a bunch of ideas and turned it into a Districts song.

Who were your influences for the album, and as who has influenced you as a band?

We all listen to a lot of different types of music so it’s hard to say. For the album itself, there wasn’t a particular influence. We could go from something like old music, like I really like old singer songwriters like Lee Hays and Leonard Cohen, and I also really like dancey music from Africa or something. We all listen to a bunch of different kinds of stuff so it kind of just seeps in in it’s own way.